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A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.
This was a fascinating program conducted by someone that the BSO will hopefully put (firmly) into their rotation of distinguished guest conductors.
In sum, this was one of those rare concerts in which everything clicked, musically and dramatically.
There were the inevitable crowd-pleasers on which Audra McDonald puts her impassioned stamp.
Book lovers and filmgoers have long been able to sample art from anywhere they wish—to read a book in translation or to rent a DVD if they didn’t like the latest releases in the theaters. Now, because of HD, devotees of the stage will be able to roam the world. By Bill Marx. A Disappearing…
The Bamberg Symphony Orchestra is a rare gem in the already star-studded crown of European ensembles.
Christian Gerhaher is, perhaps, the great Mahler baritone of his generation, while Bruckner is, perhaps, a surprising choice for conductor Kent Nagano, whose championship of new music is legendary.
The concert’s other purely orchestral work, Mendelssohn’s “Scottish” Symphony (no. 3), came after intermission and offered Mr. Valcuha the opportunity to demonstrate his command of large-scale symphonic structure. Let’s just say he flexed some pretty impressive muscle.
This is one of the most welcome, ear-opening recordings I’ve heard in recent years, easily capable of restoring Ferdinand Hiller to the position he once held as the composer of highly accomplished, enjoyable, and intriguing works.
Music Commentary: In Memoriam, Seiji Ozawa (1935-2024)
Taking in the totality of Seiji Ozawa’s life and career, it seems clear that Boston got him in his prime and that he largely returned the favor, ingratiating himself with the community, at times truly elevating the BSO while conveying a lot of joy and energy in the process.
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