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An Arts Fuse regular feature: the arts on stamps of the world.
Read MoreEach month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read More“A photograph is a secret about a secret. The more it tells you, the less you know,” Diane Arbus said. Her biographer notes that observation. Hard as he tries, many secrets remain.
Read MoreDespite several great sets including Jason Isbell and Iris DeMent, Wilco stole its own show at Solid Sound with conceptual aplomb.
Read More“Five hundred years from now, people will come to that album the way that people come to Wagner and Beethoven. This is a classical piece from our era.”
Read MoreThe second recording of William Alwyn’s searing opera confirms the work’s vitality and importance. It is one of the best and most accessible operas to have been written in the past few decades.
Read MorePapercut’s mission is to collect, catalog, and make available to the public the widest possible collection of contemporary ‘zines. By Dylan Rose I’m new at this reporting bit and, in an early conversation with my editor about the particular goals and restrictions of the genre, I blundered: I happened to refer to Arts Fuse as…
Read MoreAmina Cain’s style is unusual, and it may tow readers so rapidly through this brief novel they won’t look back.
Becoming is a contemporary woman’s adventure told by an intelligent, funny narrator who took a leap out of her comfort zone and came out of it, with her family intact, to tell the tale.
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Music Perspective: The Context of Wadada Leo Smith’s 12 String Quartets
Wadada Leo Smith is among the most prolific composers of string quartets in the modern era, the only Black composer to have written so many, and one of the most adventurous writers of quartets in terms of his notation system and the distinctiveness of his musical language.
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