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Jason Moran, as virtuoso pianist and bandleader, enacted all of jazz history at the keyboard, from ragtime to no time, as the saying goes.
Read MoreHere is Tanglewood live and uncensored, as it were, with music often thrillingly brought to life by some of the hallowed legends of the BSO’s storied past: Koussevitzky, Monteux, Munch, Leinsdorf, Ozawa, Bernstein, Previn -— the list goes on and on.
Read MoreIcarus proffers plenty of spectacle and talent, but the show only recycles a story we’ve seen countless times on stage and screen.
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Tehran Taboo –- which never would have been allowed to be filmed in its title city—is technically accomplished in its often gorgeous visuals and its textured sound design.
Read MoreAs a theatrical event, The American Stage anthology would have to be classified as a rousing vaudeville show: there are literary routines for all brows—high, middle, and low. The American Stage: Writings on Theater from Washington Irving to Tony Kushner, edited by Laurence Senelick, Library of America, 867 pages, $40. By Bill Marx “There is…
Read MoreGellu Naum does not use the heterogeneous juxtapositions of surrealism to create something jocular, absurd, prankish, or gratuitously paradoxical.
Read MoreOh, to be a lead character in a Borzage movie. You might expire during the final dissolve into “The End,” but man oh man, you will have loved. And you will have been loved.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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The Strokes are finally growing up — and their maturity is a sight to behold.
Today’s spirit of protest calls for risk and innovation, dissent and defiance. Our timid stages fall disgracefully short of reflecting that iconoclasm.
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