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How many painters were taught by Rembrandt? How big was his school? Well, that is a matter for debate — to echo Donald Rumsfeld, there are the known unknowns. Then there are the unknown unknowns
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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In his new book on film directors, critic David Thomson gives us plenty to think about and plenty more to argue about.
Read MoreIntense head music and powerful foot music, but this show needed a little more heart.
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The best part of the Silver/Ursini book is the padding, the last forty pages in which the two authors go past “Double Indemnity”‘s release to contextualize it within the generic stream of “film noir”.
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Our demanding critics choose the best (and the most disappointing) films of the year. .
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Wildly imperfect but intriguingly ambiguous, the film’s flaws and contradictions are a virtue because its purported saintly hero is so hard to pin down.
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Film Tribute: George Romero — A Legacy of Blood, Invention, and Survival
Even after death, the human instinct is to kill or be killed.
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