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There are resemblances to Virginia Woolf in Helen Dunmore’s awareness that much of family life lies in what is not said as much as in what is said.
Read MoreMartin Amis’s fiction, bleak though it often is, paradoxically remains compelling and pleasurable to read because of how well he writes about dreadful things.
Read MoreMay this superb biography, The Invention of Angela Carter, spark more interest in this amazing writer, especially in the United States.
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Read MoreThis production of Morning’s at Seven is a celebration of Peterborough’s theatrical family as much as it is the depiction of a fictional one.,/em>
Read MoreOur theater critics pick some of the outstanding productions of the year.
Read MoreCarrying cacti around the stage in boxes and placing them on their heads and in predictably suggestive positions, the Boston Ballet dancers looked like they were having a blast
Read MoreArts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Read MoreFree from the stress of leading a major-label band on the road, Mark Sandman could always return home to Hypnosonics, an alternate vehicle for his elastic vision.
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Arts Remembrance: Arnie Reisman — The Party of the First Part
In a way, Arnie was, to Boston, what George S. Kaufman was to the Algonquin Round Table, except the “vicious circle” lasted only ten years while Arnie enlivened his circle of friends for more than sixty.
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