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Federico García Lorca’s Blood Wedding remains edgier than most American fare in this century.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreArts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.
Read MoreAminatta Forna has given us a novel that belies its modest premise, a book about how the human mind protects itself by not knowing, yet sometimes, due to unexpected circumstances, comes to terms with what it thought it could not.
Read MoreArts Fuse critics select the best in music, film, visual art, theater, author readings, and dance that’s coming up in the next week.
Read MoreJean Epstein’s body of work is full of pleasures and surprises: this vigorous director broke ground for filmmakers and cinematic movements to come.
Read MoreNew York Times dance critic Alastair Macaulay is on solid ground when he critiques the shape of the dancers, but why his insulting tone? How do we, as readers, judge a critic who describes a dancer’s body in a demeaning way? By Megan Trombino While sitting at the Boston Ballet‘s production of The Nutcracker (through…
Read MoreThe documentary strikes a remarkably rich vein, covering not only music, fashion and a late-1970s social critique, but also matters of race, class, gender, mental health and spirituality.
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Arts Feature: Best Movies (With Some Disappointments) of 2025