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Music Commentary: The Gershwin Prize and the Rock & Roll Hall of Fame — Selling Out Quality for Profit

May 17, 2022
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Both the Gershwin Prize and the Rock and Roll Hall of Fame exist to glorify popular song. Both, in fairly short order, relaxed their initial high artistic standards.

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Fuse Music Review: Mount Moriah — Hard to Classify But Superb at Café 939

March 27, 2013
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Is it country? Is it rock? When it’s good, is there really a difference?

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Arts Commentary: The Brave New World of Videogame Art

April 10, 2011
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So let’s steady that swaying hive, put down the poking stick, and take a deep breath. Games continue to evolve in creative, unexpected ways, and the mechanics of gameplay can form the basis of intriguing and thought-provoking works of art.

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Fuse Interview: Boston native Lydia Peelle wins 2010 Whiting Writers’ Award

October 28, 2010
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The Whiting Award winner’s short story collection is made up of tales filled with a gentle lyricism as well as a clear-eyed concern for characters stuck in “survival mode,” men and women, sheep farmers and taxidermists, who are scraping by, past their prime, or morally lost. By Bill Marx. Born in Boston and raised in…

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Film Review: The Best Horror of 2020

December 28, 2020
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It was the most terrifying of times, it was the most horrifying of times.

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Classical CD Reviews: Russia’s Silver Age, “Amici e Rivali,” and Jonathan Leshnoff’s Symphony no. 3

December 14, 2020
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Daniil Trifonov’s Silver Age pays bracing tribute to fin-de-siecle and post-Revolutionary Russian music; Jonathan Leshnoff’s Third Symphony is smartly-written and affecting. What happens when tenors Lawrence Brownlee and Michael Spyres team up for an album of duets and ensembles from various Rossini operas? Fireworks.

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Classical CD Reviews: Thomas Adès’s Orchestral Works, Aaron Copland’s Symphony no. 3, and Leonard Bernstein’s “Songfest”

April 14, 2020
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A terrific release showcases the Boston Symphony Orchestra and composer Thomas Adès. Michael Tilson Thomas and the San Francisco Symphony deliver a radiantly honest recording of Aaron Copland’s Symphony 3.

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The Arts on the Stamps of the World — January 3

January 3, 2017
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The Arts Fuse begins a new regular feature: the arts on stamps of the world.

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Cultural Commentary: Wells Fargo — Let Them Eat Art

October 3, 2016
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Is truth and beauty served when the arts just take the money from the big banks and run?

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The Collective Stupidity: Architecture as Prophecy

February 4, 2009
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by Peter Walsh “Architecture is to make us know and remember who we are.” —Sir Geoffrey Jellicoe (1989) Harvard University’s Shad Hall: Can a building predict the future? Twenty years ago, the completion of Shad Hall, on the Harvard Business School campus, created a stir. Even for Harvard, the place was shrouded in deep secrecy.…

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