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Violinist Viktoria Mullova supplies one of the year’s most programmatically-cohesive and thoughtfully-executed albums.
Read MoreMassOpera opened their season with a workshop of a new opera, something they’ve never done before.
Read MoreThis superb volume is much more than a group of essays; it is a tale with a trajectory fashioned by a writer who is determined to be achingly honest.
Read MoreSaturday’s reading of Lutoslawski’s Piano Concerto greatly benefited from pianist Garrick Ohlsson’s steely yet sensitive account of the solo part.
Read MoreSponsored by the Harvard Writing Program and the Harvard Summer School, the event was introduced, perhaps humorously, to the audience as a “meeting of German–American relations.” In reality, it was a more of a showcase in differences about each country’s historical imagination.
Read MoreHeralded cellist Yo-Yo Ma has played with several distinguished pianists over the years, but none (are) better than Kathryn Stott.
Read MoreCharles Dutoit, one of the Boston Symphony Orchestra’s favorite guest conductors, drew playing of high energy and vivid color.
Read MoreBy Caldwell Titcomb If you ask the British public who the foremost actors of the 20th century were, you will likely get the names of Sir John Gielgud, Sir Ralph Richardson, Sir Laurence Olivier (later Lord Olivier), and Sir Alec Guinness. You are not likely to hear the name of Paul Scofield, who died last…
Read MoreMusic lovers should seize this rare opportunity to see Beethoven’s first (1805) version of Fidelio, complete with a reconstruction of Florestan’s original aria.
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Arts Commentary: A Call to (Proper) Arms — Why a Science Fiction/Fantasy Fight Over Sexism Matters
Call it dueling futures. Because the battle for the soul of the science fiction and fantasy community is about nothing less, and even if we in the mystery community never considered the impact of a chainmail bikini, you may want to sharpen your broadsword.
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