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Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.
Read MoreCyndi Freeman and Brad Lawrence are accomplishing their mission: to bring the lowbrow entertainment of yesterday to the highbrow viewers of today.
Read MoreA welcome triumph for Hyperion, Bruch, and the Nash Ensemble, but the Oregon Symphony does not do right by Haydn.
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“ignorance about those who have disappeared/ undermines the reality of the world.” — Zbigniew Herbert
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Not all of the production’s choices pay off, but Hamnet is a fascinating, one-of-a-kind play that strikes at a universal sense of longing.
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“I went back and listened to the records and watched videos of performances. I got into character for this,” Glenn Hughes confesses.
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In no way a ‘tale told by an idiot, signifying nothing’, Pew is instead a kind of reverie, a wide-eyed spin on the Southern novel.
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John Corigliano’s take on goodbyes is, if not exactly bitter, then full of sorrow: few happy memories to be had here.
Read MoreErnie Smith’s rich baritone and playful lyrics have found a New England champion in the Rhode Island band Soul Shot.
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Holiday Commentary: Making Room for the Stranger