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The Lyric Stage Company’s production of David Henry Hwang’s Obie award-winning play is serviceably absorbing.
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As the run continues, the torrent of gags will probably settle into place and proper narrative rhythms emerge. But for now, the game’s aground.
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The two vintage works on the program at Jacob’s Pillow demonstrated, in a palpable manner, to what extent Martha Graham’s work changed everything.
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A trio of reviews of recordings that include sadly neglected pieces by Dvořák, pianist Mitsuko Uchida’s phenomenal Diabelli Variations, and a haunting, arresting round-up of new music by the Departure Duo.
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This BarabásiLab exhibition is inspiring because it exemplifies a powerful integration of art and technology.
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MassOpera opened their season with a workshop of a new opera, something they’ve never done before.
Read MoreA fascinating documentary in which you get both a Paul Taylor dance and the making of the dance.
Read MoreTo his credit, Boston Ballet’s artistic director Mikko Nissinen is looking far and wide for ways to expand the company’s repertory.
Read MoreThere aren’t too many ensembles around that consistently remind us how fresh, rich, diverse, and thought-provoking contemporary can be.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler