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Weekly Feature: Poetry at The Arts Fuse

January 25, 2024
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This Week’s Poem: “Rowdy Astronomers Out There.”

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Weekly Feature: Poetry at The Arts Fuse

December 14, 2023
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This week’s poem: Jacob Strautmann’s “Epimetheus in the Fall of the Year”

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Short Fuse Podcast #33: Critics Gathering — Bill Marx, Matt Hanson, and The 2020 Virtual Fusical

December 2, 2020
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These are trying times for nonprofit publications like ours and for the arts — our publication plays a crucial role in maintaining the cultural ecosystem.

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Weekly Feature: Poetry at The Arts Fuse

October 19, 2023
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This week’s poem: Heather Treseler’s “Ghostology.”

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Fuse Flash: Circus Oz — The Circus From Down Under Astonishes “From the Ground Up”

February 21, 2014
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Circus Oz is not a reinvention of the big top, a la Cirque du Soleil. It is more of a traditional circus updated for modern times.

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Short Fuse Podcast #35: An Interview with Dancer and Critic Merli V. Guerra

December 24, 2020
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Host Deanna Costa interviews Arts Fuse contributor Merli V. Guerra, a multifaceted dancer as well as a writer..

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Maggie Cheung Is Superb in “Clean”

June 9, 2006
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A prickly woman’s survival depends on her ability to soften her edges in this riveting drama by Olivier Assayas, for which Maggie Cheung won the Best Actress award at the Cannes Film Festival in 2004. Assayas began his career by making incisive and unsentimental character studies. His technique became freer in his first collaboration with…

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Classical Music CD Reviews: Strauss/Korngold’s “Eine Nacht in Venedig,” Berlioz’s Requiem, and Ethel Smyth’s Mass in D

October 21, 2019
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Among the reviews: a terrific, important release that celebrates one of the most interesting – and hitherto overlooked – composers of the late-19th- and early-20th centuries in style. Don’t miss it.

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Visual Arts Commentary: Public Art — Much More than Murals

September 15, 2019
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Thankfully, public art has become much more than murals for blank wall spaces.

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Cultural Commentary: Wells Fargo — Let Them Eat Art

October 3, 2016
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Is truth and beauty served when the arts just take the money from the big banks and run?

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