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Dramatist Lydia R. Diamond makes an honorable effort to adapt Toni Morrison’s novel to the stage, but with mixed results.
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This is a film for another moment in time, an imaginary if not necessarily utopian moment when being Jewish is less roiled and bedeviled from within and without.
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Lonnie Holley’s music on MITH sounds like a choir of better angels whose multi-layered voice is hard on the outside and soft on the inside, like so much Alabama clay.
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The enigma of Seberg’s demise hangs over this biopic, which focuses on the civil rights activism that made the actress a target for the FBI’s covert surveillance.
Read MorePianist Richard Goode provided everything that is asked of a Beethoven master: color, infinite shadings, interesting, convincing tempi, and soul.
Read MoreDirector Bill Rauch’s concept and the Oregon Shakespeare Festival company have, in a small space, created an achievement of monumental, yet personal, proportion.
Read MoreNeil Simon’s Last of the Red Hot Lovers wears surprising well after nearly half a century, with the help of minimal, subtle updating of topical references.
Read MoreThe crowd emptied into the humid Boston night having bridged the past and the present, thanks to the incredible talent of the city’s local music scene, reunited in tribute to a club that hosted many such moments over its 11-year history.
Read MoreActor John Douglas Thompson can captivate, seduce, and thrill any audience in any play, which is exactly what he did, once again, in Shakespeare & Company’s enthralling new production of The Life and Death of King Richard III. The Life and Death of King Richard III by William Shakespeare. Directed by Jonathan Croy. Conceived and…
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Holiday Commentary: Making Room for the Stranger