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Of course, with the assistance of the massed megafauna (big beasts), and the yodeling of Tarzan, Jane is saved.
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The special categories tend to get overlooked, or sampled erratically, in the new releases lists, so Francis Davis thought a nudge might help.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThe real draw of “Win Win” is its original and earnest story, combined with its unexpected humor. It’s not an overly complicated plot; it’s just life with all of its ups and downs.
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We should be grateful for Ohad Talmor’s wide-ranging curiosity, not only because of the detective work he put into the Ornette Coleman/Lee Konitz recordings, but because of his uniquely varied presentations of these mostly unknown pieces.
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This collection of essays, excerpts, letters, and a few poems is a powerful and necessary tool for educating anyone willing to learn about — and confront — the injustice and hypocrisy of our country’s monstrous system of incarceration.
Read MoreIn “Delusion,” veteran performance artist Laurie Anderson generates a muted melancholy, sometimes poetic, sometimes poignant, that makes the piece a consistently compelling if not always successful addition to an ambitious body of work.
Read More“I was/am struck by the women in The How and the Why. I hadn’t seen them onstage before. Nor had I quite heard from them before.”
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A can’t-miss album of Bartók Ballets, Thierry Fischer continues to do right by the symphonies of Saint-Saëns, and a spirited recording of the “last great symphony in the German Romantic tradition.”
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The Oregon Shakespeare Festival production of Othello lacks a tragic dimension not because it highlights Othello’s “Otherness,” but because it eschews any vestige of grandeur or nobility.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?