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Time travel in movies, whether treated as farce or serious sci-fi mind-bending, sometimes excites us by challenging the idea that we’re trapped in a linear chronology from which we cannot escape, racking up regrets, mistakes, and old-age as we go
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreNothing would please me more than to believe the announcement made last week by the Van Gogh Museum, saying that one of the paintings in the museum that has always been called a self-portrait by Vincent van Gogh is in fact a portrait of his brother Theo
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This is an auspicious feature debut, a doomsday thriller that touches on resonant topical issues.
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“I went back and listened to the records and watched videos of performances. I got into character for this,” Glenn Hughes confesses.
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Rarely in my experience has Ives’s visionary score sounded so fired with purpose.
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What we don’t learn in “Josephine Baker’s Secret War” was what she did to steel herself against the risks she was taking. Was it all acting? A belief that her charmed life would never end?
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It is clear to Candy Darling’s biographer that the present moment contains alarming reminders of the political scapegoating generated by the culture wars of the ’90s. She leaves no doubt that her subject’s difficult, complicated life embodies a cautionary tale.
Read MoreAccording to Shelby Steele, white liberals “dissociate” themselves from the past sins of white America by subscribing to the “poetic truth” that the United States is “characterologically evil.”
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Adam Moss’ book is an inspiring compendium of interviews and profiles of 43 creatives on how they make their work, using iconic examples to illuminate their process.
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Book Review: “Unfinished” Argues for AI as an Artistic Partner — But at What Cost?