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While “The Deep Blue Sea” may be a throwback to another era, director Terence Davies has used his masterful style to engage the audience cinematically and psychologically in an elegant circular structure.
Read MoreClassical Album Reviews: Petrenko conducts Elgar, Britten’s “Saint Nicolas,” and “Italian Postcards”
One of Vasily Petrenko’s most successful Elgar releases; there’s an edge to the Crouch End Festival Chorus’ performance of Britten’s Saint Nicolas ; Quartetto di Cremona’s new album is nothing if not overflowing with Mediterranean personality
Read MoreA difficult balancing act: marrying art with the community-based traditions of everyday rural life.
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José Luis Trueba Lara’s anti-popularist history is the truest kind of people’s history.
Read More“Witness Uganda” is a quintessential American musical — a work of cultural tourism that condemns cultural tourism.
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Starring Mads Mikkelsen, “The Promised Land” is an opulent and moving period piece that captures a location and era rarely depicted on the big screen
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The not-to-be missed “Symphonic Chronicles IV” is a very welcome alternative to much of the atonal, modern classical music currently flooding the market.
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Put Bill Charlap in that camp of brilliant jazz originals who have plied their trade by playing songs by other people and making them definitively their own.
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Arts Remembrance: His Soapbox Was The Brillo Box — Arthur Danto, 1/1/1924 –10/25/2013
The late Arthur Danto was open to and appreciative of all sorts of possibilities in art, as other visual arts critics were not.
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