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Paradise‘s central conflict and the performances in the Underground Railway Theater production are damn good.
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This is the most extensive public display of original J.R.R. Tolkien material for several generations.
Read MoreI cannot recall reading any book about Jewish history that contains so many “Aha!” moments.
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Sleeping Beauty needs not only to thrill us but to carry us somewhere back into its own history.
Read MorePeter Child’s challenge was to match his orchestral and choral music to the harrowing nature of the text — and he worked this out well.
Read MoreDirector Spiro Veloudos keeps the clockwork running smoothly, not just ensuring that that the actors keep the rhythm, but making use of a skilled backstage crew who engineer (miraculously and on time) scenery and costume changes.
Read MoreDave Holland’s Prism tells stories, several of which are very effective. Scofield’s, like his earlier Überjam releases, extends the jam-band esthetic into jazz without completely giving in to it. And neither of them would be as they are without the great looming shadow of Miles Davis.
Read MoreIn this entertaining satire of empire, Christian Kracht makes use of a nihilistic magic realism, without the sweetness one normally associates with that mode.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Arts Commentary: It’s OK to Like Board Games, Even the Bad Ones
These cheesy board games were repetitive and horrible and I loved every one of them.
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