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We Bostonians are a tough bunch and the Remains had a tough sound. That’s what Boston music should be remembered for.
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There’s always a fair bit of horror in the mix, as well as thrillers and dramas. Each entry has a chilly darkness at its core — these are stories that often abound with themes of cruelty, grief, terror, and dread.
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Two campus structures and one downtown office building speak a new visual language.
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Peter Neumann has written a compelling historical study that focuses on the tumultuous concatenation of a number of imaginative and dynamic thinkers.
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Beyond its engaging plot and the tour de force performances by Olivia Colman and Jessie Buckley, The Lost Daughter is a gorgeous and sure-handed work of cinema.
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Violation utilizes extreme violence not to revel in a revenge fantasy but to deconstruct the genre’s militantly feminist appeal — “kill your rapist” — as a self-destructive endeavor offering no catharsis whatsoever.
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Pianist Jeremy Denk is a sensitive and articulate polymath who can elucidate his ideas about music with wit, humor, and style.
Read MoreAs the Occupy and Tea Party movements attest, this is a time in America of social action and political upheaval -– not to the degree that we see in “Battleship Potemkin,” but significant nonetheless –- and this classic silent film has resonance today in that regard.
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The Annual Francis Davis Jazz Critics Poll — Sharing What We Know at Mid-Year
We are all part of a community with a deep commitment to this extraordinary but way-too-often unappreciated musical art, and the late critic Francis Davis believed we should work together and share what we know. His poll was one important way to do just that
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