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The book is crafted, sentence for sentence, as a seemingly impossibly layered mindscape — rich if not overripe in what must be metaphor, must be symbolism.
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Few other films this year will match the absurd satiric heights of director Guy Maddin’s “Rumours”.
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The Tonhalle-Orchester Zürich recording of Mendelssohn’s Symphonies doesn’t cast the composer as a radical, but the effort highlights the strengths of his music and finds ways to put distinctive interpretive stamps on several of these scores.
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Through it all, Deanna Raybourn’s quartet of females rely on the acuity and resourcefulness that has made the author’s other series characters both so memorable and beloved.
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Dance Fever is one of the few pandemic-themed artworks that doesn’t feel contrived — it is specific about the value of music to the individual and by extension to the community.
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This cooperative music is deliberately international in instrumentation and personnel and theme, proffering its own characteristic, and often quite beautiful, mix of sounds.
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In this extraordinary recording, harpsichordist Mahan Esfahani is given a chance to perfectly convey the power of his emotions.
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As good an interpreter of large-scale forms as he’s becoming, Andris Nelsons has always been a terrific conductor of new music.
Read MoreThis invigorating, sometimes unpredictable, Beethoven-heavy program certainly offered its share of athleticism and energy.
Read MorePerhaps Top Five is Chris Rock’s penance for doing lucrative-paying voices for the insanely popular Madagascar animation franchise.
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