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The musical wheels out well-trodden jokes about growing old while supplying all the usual greeting card life lessons (live each moment as if it were your last!).
Read MoreJerusalem Quartet’s Bartók is more elegant than hard-edged; Heath Quartet’s Tchaikovsky is vigorous and sweeping.
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MassOpera’s updated version of Die Fledermaus pulls off a major feat.
Read MoreJoey Alexander is more than a mere prodigy; he is closer to a freak of nature, a fully formed jazz virtuoso.
Read MoreThe disc offers a rewarding look at the work of four local composers and also showcases the members of Radius Ensemble in a warm, winning light.
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Few writers can generate as much tension in so few pages as Pamela Painter.
Read MoreHorror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.
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Karina Rykman’s rookie recored, “Joyride,” delivers a beguiling blend of pop smarts and psychedelic proclivities.
Read MoreBy Bill Marx Veteran “Village Voice” theater critic Michael Feingold has written a good column on the tragic news, for some, that the Broadway League and the American Theatre Wing, the organizations that jointly manage Broadway’s annual Tony Awards, have decided to remove the first-night theater press from the ranks of Tony voters. Some hand-wringers…
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Book Review: “What’s Prison For?” — A Case for Building Trust and Mutual Respect
In this valuable and necessary book Bill Keller argues that American prisons need to accept that men and women don’t stop being human beings because they’re in the custody of the state.
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