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[adrotate group=”11″] Dear Arts Fuse Reader: I hope you are well and that you attended some live arts events this past year. Personally, I continue to be inspired by the wealth of arts and culture The Arts Fuse was fortunate enough to critique in 2016, from the Boston Symphony to SpeakEasy Stage Company. Experiencing art,…
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BMOP’s performances of three John Adams chamber symphonies, all conducted by music director Gil Rose, offer welcome, distinctive takes on the triptych.
Read MoreA journal that is part travelogue, part music history, and part meditation on the evolution of our culture through the often-bloodshot eyes of one man.
Read MoreThe dancers in Yanira Castro’s company, a canary torsi, learned historically correct period movements.
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Over the years, Lee Gutkind has been one of the most persistent and impassioned voices making the case for the value of creative nonfiction.
Read MoreRoyal National Theatre Director Nicholas Hytner is determined to make the drama as relevant to our own times as to the Bard’s. The setting is a somewhat flimsy, gray-walled salon. Theatrical apparatuses are visible: a klieg light here, a fresnel there. Hamlet by William Shakespeare. Staged by the Royal National Theatre, London, England. Taped by…
Read MoreA Jewish film festival is at heart a communal event, even longer than Hanukkah. If one needs proof of community, see who the sponsors are. By Joann Green Breuer. My final film of this year’s Boston Jewish Film Festival was The Girl from a Reading Primer, directed by Edyta Wroblewska in Poland. It is short…
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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The biography is a workmanlike introduction, valuable because it brings a measured understanding to Osip Mandelstam’s life and poetry as well as to the horrific decades he lived through.
Read MoreAll of these stories are powerful… if only they were treated with dramatic complexity.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues