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For those of you who have never read Marguerite Duras, “L’Amour” is an invigorating place to start.
Read MoreThe issues might seem highly technical and of interest only to specialists, but I think they do matter. In the first place they matter as a corrective to our understanding of Rembrandt, but they also matter for the critical insights they offer into the techniques and practices of scholarship. By Gary Schwartz Earlier columns were…
Read MoreChristian Gerhaher is, perhaps, the great Mahler baritone of his generation, while Bruckner is, perhaps, a surprising choice for conductor Kent Nagano, whose championship of new music is legendary.
Read MoreThe new Mingus box set from Mosaic is a treasure trove — jazz lovers should get their hands on one of the 7,500 limited edition copies.
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Markus Friedrich, a professor of early modern history at the University of Hamburg, has written a scholarly but immensely readable history of the order that will appeal to an audience beyond the Catholic tradition.
Read MoreThe improved viewing experience of the 1931 version of The Front Page enhances the stature of director Lewis Milestone as an early-talkie innovator and shows off the crack ensemble cast.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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A hatred of self and others sits, relatively neglected, at the center of Adam Rapp’s script.
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“Superman” is overstuffed and bloated — so much so that it’s impossible to get an emotional toehold in the story being told.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues