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Pianist Harold López-Nussa is his own bold and expressive rhythm section.
Green Day’s latest offering is a largely unoriginal, imitative hodgepodge.
I could sense a bit of the downfall of indie narrative cinema at last week’s 25th Provincetown Film Festival, but luckily the spirited programmers dug deeper and worked harder to locate worthwhile cinema.
Two divergent works of theater for the screen were at this year’s NYFF, an adaptation of Macbeth in black and white, and a raunchy sleeper from Romania.
This book is a valuable reminder that “the men associated with an era of supposed morality and Christian values of monogamy and marriage have nearly all been linked to infidelity and sex outside of wedlock.”
An absorbing novel that builds steadily, not to a shattering or violent conclusion (all the violence is in the past or offstage) but to a quiet release that is humane and persuasive.
James Lapine’s charming documentary explores the life of Rose Styron, who at the age of 96 still reigns as the undisputed queen of “The Vineyard,” as she calls it.
In a world riven by war and flirting with Armageddon you’d be forgiven for wondering how the microcosmic hothouse of Fire could command your attention. The answer: director Claire Denis’s artistry.
Luca Guadagnino’s Suspiria is a landscape of the shadowy feminine, steeped in ancient magic, willful evil, and the cyclical round-de-lay of death and rebirth.
Book Commentary: Literary Legacies — Children’s Literature
2020 and 2021 saw the deaths of five titans of children’s and young adult literature. Here’s to revisiting old “classics” and discovering new ones.
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