Search Results: homes
An Arts Fuse regular feature: the arts on stamps of the world.
Jean-Guihen Queyras wraps up a Schumann concerto trilogy in style, pianists Christina and Michelle Naughton play with panache and color.
In terms of genre, I would describe Wildflower as a sort of Hallmark Channel-style drama, a quirky but heartwarming tale of a scrappy girl who overcomes the odds to help her family stay together.
Human Resources isn’t for everyone. It’s even weirder than Big Mouth (which is saying something), though this spinoff series still packs, at times, the same heartfelt punch.
Herbert Blomstedt conducts a powerful version of Mahler’s valedictory essay, organist Christopher Jacobson provides a so-so “Organ” Symphony, and Kirill Petrenko’s initial recording as the chief conductor of the Berlin Philharmonic is lovely.
The inciting action of Smith’s moving memoir is the event that forced her to reckon with the fact that her marriage was in trouble.
In his book, Wolfram Eilenberger has provided an absorbing view of a period in Western intellectual history that was committed to the new.
Julia Wolfe’s Fire in my mouth is one of 2019’s most memorable recordings; Donnacha Dennehy’s The Hunger, a meditation on the Irish potato famine of the mid-19th-century, leaves an indelible impression; Derek Bermel’s Migrations is a grand celebration of one of America’s great living composer at the top of his game.
Dramatist Theresia Walser is careful to point out that these women did not merely benefit from the abuses of authoritarian power, but perpetrated many of them as well.
Jazz Commentary Series: Jazz and the Piano Concerto — Mavericks, 1938-1983
More composers who followed their own distinctive paths when they incorporated jazz into their piano concertos.
Read More about Jazz Commentary Series: Jazz and the Piano Concerto — Mavericks, 1938-1983