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A round-up of fresh performances of Beethoven Concerti.
With its fabulous ’50s costumes and visceral wrestling scenes, “Queen of the Ring” is a blast from the past.
The trio shares Cecil Taylor’s love of rational freedom and adventure, but it doesn’t try to reproduce the pianist’s rip-roaring intensity.
While it has its highlights, The Family limits our frame of reference to other movies, rather than anything resembling real life.
The message of August Wilson’s final play: the future rests not on the number of Whole Foods we build but on the culture we value.
It’s not Prokofiev at his finest, but his “very good” was above just about everybody else’s best.
Philippe Rahmy is afflicted with brittle-bone disease: in his superb writing, he takes off from his incurable inherited condition and ventures out courageously.
Critical Commentary: But Can You Relate?
Fighting for the intellectual integrity and independence of arts reviews means demanding more analysis and less sales talk.
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