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Looking back, the writing in the “Village Voice” was as good as Tricia Romano’s subjects remember. She excerpts paragraphs and the language is fresh, distinctive, sometimes profane, and always worth reading. For those who wrote books, it will send you back to the bookshelf.
Veteran British director Ken Loach turns over a new leaf in “The Old Oak”.
There were moments during Van Morrison’s 22-song concert Tuesday when he was whipping the band into a frenzy — shouting out song selections before the final notes of the previous tune had fully rung out.
Blown is a short and engrossing mystery novel that also stands as a morality play, an ethical fable that suggests that our own selves are perhaps the greatest mystery of all.
Twenty-one years after she received a Golden Globe for “Europa Europa,” director Agnieszka Holland returns with another uncompromising vision of perseverance and the power of human connection in the worst of times.
This “father and sons on the lam” film adeptly blends genres (in this case: sci-fi plus thriller). It is well assembled, emotionally compelling, and beautifully shot.
Though it’s classified as a comedy, Shiva Baby utilizes many of the stylistic trademarks found throughout the horror genre to merge painfully humorous discomfort with suffocatingly atmospheric terror.
Sofia Coppola’s flawed characters are part of the real world, engaged in authentic relationships struggling with universal dilemmas.
Quatuor Ébène burst into song. And I think it’s safe to say singing of any kind is almost never heard at a strings-only concert.
Khruangbin’s principal strength lies in how well the musicians manage to fit together
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