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Hinds’ shortcomings are readily apparent, but their infectious energy is undeniable.
This is a book for anyone interested not just in the economic state of the symphony orchestra, but in the overall financial health of the arts in the United States.
Bob Brookmeyer’s great contribution was to make it seem as though anything is possible — and permissible –in the big band context.
Despite its flaws, “Dune: Part Two” is a grand, sprawling, and deeply intelligent science-fiction epic.
Koubi’s piece overturned expectations in so many ways it could be called innovative, groundbreaking.
Pražák Quartet’s Smetana is keeper, Sir Simon Rattle’s Haydn is a loser, and Lindberg’s “On the Waterfront” is a knockout.
Why didn’t a legal mind as brilliant as Richard Posner’s get to the Supreme Court? One suspects his candor and bluntness.
In an effort to give the proceedings an intimate, salon feel, the Symphony Hall stage was dotted with a couple of potted plants, three armchairs, and a pair of music stands; the cavernous environ of the space was still very much present, but one appreciated the effort to minimize it, even if only partially successful.
In support of the release of his album “Orgy of the Damned,” Slash is not just touring; he’s putting on a distinctive concert experience with a positive message.
Bob Dylan’s first installment of his memoirs invokes the bard of old with engaging prose and an old carny’s sleight of hand. “Chronicles, Volume I” By Bob Dylan. By Tim Riley Bob Dylan is one of rock’s great trapeze artists. His songwriting is the stuff of literary aerobics, but his performances could re-attach your spine…
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