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Ascending Light is, by far, the most serious orchestral score of Gandolfi’s I’ve heard and it succeeds to a considerable extent thanks to its expressive honesty.
“To say that the occult ‘saved’ it is really to say that the spiritual agitation is at the heart of what was able to bring rock ‘n’ roll to its most interesting places.”
The new bio-doc about producer-musician Brian Eno looks at the artist’s life and his creative process in a deliberately provocative new format.
For decades the MFA gave Dalí the cold shoulder, so it’s great that this maiden voyage is non-puritanical and open to the artist’s less than wholesome instincts to provoke.
Corporate anti-racism – Bank of America is a major sponsor for the documentary – causes Ken Burns to pull his punches.
An Arts Fuse regular feature: the arts on stamps of the world.
Whither Must I Wander, the debut recording from baritone Will Liverman and pianist Jonathan King, is one of 2020’s finest classical releases; 12 ensemble provides a kinetically-played example of a large-ensemble arrangement of chamber music.
The best items in this all-Mozart album are the concertos.
This simultaneously entertaining and provocative show contests the premise that people today are invariably more sophisticated than those who lived in spiritualism’s heyday.
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