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In the end, the historical cavalcade Timothy Shenk presents doesn’t tell us much about how America ended up in such straits or how it will pull out of them, if at all.
The free Outside the Box arts festival is taking the year off, but its head vows that it will return next year.
Odyssey Opera’s first commercially-released album is a fun showcase; BMOP delivers an excellent performance of Four Saints in Three Acts.
For all the surface-y beauty of the BSO’s playing, it’s a dull interpretation of Anton Bruckner’s Symphony no. 3.
Cohen fans, rejoice – Popular Problems proves that the power and depth of his music haven’t faded now that the man singing them is officially an octogenarian.
Otto Dov Kulka’s exploration of the time he spent in Auschwitz as a child won the 2014 Jewish Quarterly-Wingate prize, one of the judges calling it “the greatest book on Auschwitz since Primo Levi.”
Gary Clark Jr.’s “JPEG RAW” could be seen as an orchard whose far-reaching sonic branches — nurtured by the rich, fertile, and ancient soil of the blues — stretch into jazz, hip hop, and funk.
In Broadway revivals, Topdog/Underdog is absolutely riveting, while Death of a Salesman feels forced and unconvincing.
This is not just a story of a plucky girl succeeding; in weaving her complicated story and giving credit to those who helped her to understand how to think critically and how to develop her own moral philosophy, Sonia Sotomayor never forgets that luck and serendipity also play a part.
Film Commentary: The IFFBoston — Documentaries Focusing on the Marginalized
The IFFBoston’s commitment to films about marginalized communities is turning the festival into an essential cultural event.
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