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Chase’s iconoclastic genre-crossing oratorio proceeds from dark to light, and wins its struggle for transcendence.
World-renowned soprano Aleksandra Kurzak’s homage to the great French soprano Cornélie Falcon is largely one to cherish.
School Girls; Or, The African Mean Girls Play is a serious comedy that takes aim at our provinciality and ignorance.
Following a very compelling second season, the series seems to be losing its edge, slightly, though only intermittently.
Much praised by Berlioz and others, this Italian opera (composed for the great mezzo María Malibran) brings a notable female composer out of the shadows.
JAG Productions’ goal is to stage plays that reflect the lives of African-Americans — in Vermont, the second-whitest state in the nation.
What is a problem, however, is that despite a fairly promising start, nothing at the beginning of MGMT can make up for the migraine inducing cacophony of pointless sound that is the album’s final half.
Despite the well-intentioned efforts of the cast, Eli Wiesel’s words were lost in space.
Arts Commentary: Reviewing Music, Re-viewed
Our opera-loving reviewer contrasts his own pieces, written 48 years apart, on the same Offenbach operetta.
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