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“All my effort is to transform machines into narrative, to show how much narrative power they have inside them, how they can tell stories.”
Clea Simon’s latest mystery, “Bad Boy Beat,” features the memorable heroine Em Kelton, a tough Boston journalist who can mix with the hard-boiled reporters and hard-living cops on her beat — none of whom want to realize that she happens to be a brilliant detective.
The greatest enigma “Oppenheimer” poses is recognizing the difference between good and evil and how to act accordingly.
The late Billy Conway didn’t so much work to make a song sound great as, through his adroit drumming, illuminate the qualities in the tunes that made them great.
If you’re brave enough to dip your toes into a musical unknown, there are pleasures a-plenty to be had in this recording, in which Joe Jackson takes us on what purports to be a musicological excavation of the works of a long-forgotten figure of the English Music Hall era.
Just over a month ago, conventional wisdom had it that the long-running Pollock Matter Affair, one of the most contentious art controversies in living memory (see past posts in Arts Fuse and Anonymous Sources), had finally ground to a halt. Oops. As predicted in The Arts Fuse in November, the debate has found some more…
My mind is busy considering the presence of two distinctly engrossing thrillers of sex and violence set within the adult film industry, one a vividly romantic neo-giallo fairy tale, the other a discomfiting, tragicomic spiral into murder and depravity.
Netflix has spent the past two and a half years slowly setting the stage for the grittiest superhero universe yet.
Arts Commentary: WBUR’s Clogged “ARTery”
Every organization in the Barr Foundation’s charmed circle — large arts groups and The ARTery — have a financial stake in reinforcing the belief that the Barr’s money is being put to supremely successful use.
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