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Published in August of 2020, Oxford University Press’s English translation of Doctor Pascal marked the first time that Émile Zola’s 20-book Les Rougon-Macquart series was available in print under one publisher.
Reviews of three new documentaries at TIFF: My Imaginary Country, To Kill a Tiger, and Miucha: The Voice of Bossa Nova.
In this exhibition, I wanted to focus on the screen as a threshold between realms and to ask questions around its materiality, its power.
As a long time arts critic for print, broadcast, and the Web, the potential for cultural coverage online strikes me then and now as exhilarating. The challenge for The Arts Fuse is to foster dialogue that articulates the value of the arts in our lives.
Antoine Volodine is a master of the prolonged, very prolonged, tongue-in-cheek spoof. But he is also dead serious.
Comparing Rick Berry’s expressionist paintings with Damon Lehrer’s exquisitely rendered, classical and contemplative work made me wonder about the expressionist style in general. By this I mean that artistic terrain where the passions, vehemence, or ferocity of the artist so colors the work as to form a powerful but distorting lens through which we see the work.
A sense of promise remains a hallmark of the Montreal Jazz Festival — always end by looking forward.
An Arts Fuse regular feature: the arts on stamps of the world.
While sound is certainly important, and language in the proper hands has its own music, syllabic harmonies need not be trumpeted as though they were the foundation of good prose.
Rethinking the Repertoire: Postlude
The moral should be to err in favor of the audacious. That’s what this world – and this art form – require.
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