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We root for all of the ordinary folk who survived — and are still surviving even now — one of the bleakest and saddest periods in Russia’s history.
Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief reviews.
Poet Mikhail Kuzmin, born in the 1870s into a family of Russian Old Believers, was a passionate exponent of gay literature in the early twentieth century.
John Mayer’s “Born & Raised” departs from the melancholy-ridden songs of youth, providing a subdued, folksier vibe that reflects an artist going on 35.
John Oliver, director of the Tanglewood Festival Chorus, deserves the thanks of all involved for his willingness to take on this unenviable assignment, as well as credit for ensuring that the performance didn’t fall off the tracks.
The first American release of a 1961 Italian comic treasure that spoofs corruption in postwar Italy.
This live performance recording showcases the Boston-based singer/pianist Kemp Harris’s merrily eclectic approach — it is a thought-stirring and animated musical excursion.
An Education in Prudence offers fascinating glimpses into a repressed episode in American history.
Dance icon Bill T. Jones confounds expectations about race and the power of stereotypes in two new dance pieces. “Reading, Mercy and the Artificial Nigger” and “Mercy 10×8 On a Circle” by Bill T. Jones/Arnie Zane Dance Company By Debra Cash Bill T. Jones would no doubt take umbrage at being compared to the white…
As long as we’re sipping the truth serum wine, the biggest obstacle presented by the Storm Warnings Repertory Theatre production is — itself.
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