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An Arts Fuse regular feature: the arts on stamps of the world.
Music Interview: Mavis’ Man — Guitarist Rick Holmstrom on Backing Mavis Staples With Taste and Space
“Yeah, Mavis Staples is everything you see onstage and more. She gives and gives and gives.”
A quartet of summer films that range from the excellent to the not-so-bad and the ugly.
The life of a working musician is not a second-class life, and Mimi Rabson’s is Exhibit A: “I try to get past the limits of the definitions and get to the joy.”
“There aren’t a lot of roles for Middle Eastern actors in the United States. And it does mean something to me to be able to create roles like this.”
The show never grapples with the casualties of corporate crashes because it would mean critiquing a system that is making a lot of people at the top rich (looking at you, Apple).
Tomorrow, Misty Copeland will be American Ballet Theatre’s first African-American ballerina to perform the lead role in Swan Lake in New York City.
“Playing these standard pieces on period instruments is a little bit like reading a novel or poem in its original language.”
Alfred McCoy’s brilliant history examines the evolution of world orders leading up to Pax Americana and the current decline of the United States.
Rethinking the Repertoire #22 – Florence Price’s “Mississippi River Suite”
Composer Florence Price’s lack of acceptance into the American canon is shameful.
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