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Lydia R. Diamond’s Smart People is an amusing takedown of our “post-racial” world, and it is receiving a snappy, well-acted production via the Huntington Theatre Company.
Exit Right is about how six men entered into politics on the left side of the spectrum and wound up immured in varying extremes of conservatism.
Thornton Wilder’s Big Ideas do not get lost in the hurly-burly of this production.
An Arts Fuse regular feature: the arts on stamps of the world.
In his new book on film directors, critic David Thomson gives us plenty to think about and plenty more to argue about.
The New Rep production of Hair is acceptable: if the intent was to look back at a now-dated musical that once caused a stir.
Tim Page on a generous sampling of Virgil Thomson’s best music criticism – trenchant, outspoken, oftentimes delightfully clever, and always assured.
This is history from a distance. Harris’s characters feel more real when they’re working out the equations that will make a missile fly or fall than when they’re fleeing a double agent or a misfiring rocket.
Frolic and Detour contains a few poems that I judge to be instant classics of English-language poetry.
“The Dream of the Celt” succeeds at educating its readers about the worlds in which Sir Roger Casement lived his successive lives, but not about his successive personalities.
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