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This series taps into the inevitable horror we would all feel if we learned that we had once loved a monster — or that the monster we fear might be inside of us.
The late Robert Brustein’s shadow is long. But his legacy is problematic.
The Effect is about the brain, pharmaceuticals, and how little we know about each.
Films like Indignation bypass body counts and superheroes in order to explore the mysteries and eccentricities of human behavior.
“The more you listen to Bach, the more the synapses fire and you just have to take hold of the reins and let the Bach horse take you wherever it will.”
Mario Diacono’s works were a guide – a guide to see and think deeply about words and images.
Today’s increasingly corporate-approved theater stays within safe, civic-minded boundaries.
Like just about everything nowadays, the word epic has been downsized, cut and packaged for the short-attention-span generation. Sure, there are ballyhooed mammoth projects, such as the recent films of James Cameron, but the director/producer pulled them off after years of preparation and with millions of dollars at his disposal. By Chantal Mendes. You want…
Theater Commentary: The Boston Theater Critics Association — Finally Reached a Conclusion?
The Boston Theater Critics Association should take action in support of #MeToo. But this will probably be the last year I request that Israel Horovitz’s Elliot Norton Prize be withdrawn.
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