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By Bill Marx In English, Polish novelist, playwright, short story writer, and brazen, metaphysical gadfly Witold Gombrowicz remains under appreciated, a modernist who was never pulled into the highbrow bandwagon. Part of that neglect is thanks to bad translations that, in some cases, bowdlerized the Polish text or were translated from a French version of…
Bravo to the Bru Zane folks for this latest triumph! I encourage opera lovers to get to know this treasurable Spanish (or faux-Spanish) work by the pioneering master of nineteenth-century operetta.
We do it for the joy and communitas of making theater together much as we do for responding to the world around us through art.
Jennifer Haley’s play is compelling and timely because it forces us to face facts, actual and alternative.
At 85, Herbie Hancock can still funk it up.
It’s no wonder poets have been drawn to write about Guyer and Twombly’s work. We are carried away by an art that is always immediate, hic et nunc, but elsewhere too.
Hot Maroc is more of a three-ring circus than a drama, with a high-wire act at one end, tigers and elephants at the other, and scurrying clowns in the middle.
An Arts Fuse regular feature: the arts on stamps of the world.
There’s a larger story to tell about black composers and musicians breaking into the film and TV business, but its only lightly touched on here.
The populations in former Soviet Socialist Republics and current NATO members Latvia, Lithuania, and Estonia know all too well what it’s like to live under Russian subjugation as is seen in a trio of trenchant and timely documentaries.
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