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Doris Lessing has always been massively and productively incorrect, and splendidly fulfills the mandate of a great writer by being so.
Cloud Nothings’ latest effort is less muscular than their previous work, but it still contains its fair share of hooky bliss.
If you want to see how Earth’s oceans are coping with global warming, what better way than to sail around the world for 15 years — and have a little fun doing it?
So how do four young guys successfully build upon two masterworks while simultaneously facing possible enervation due to record label woes and botched stateside promotion?
After hearing just the first of William Kentridge’s six Norton Lectures, I have no doubt that this series of “Drawing Lessons” will be one of the most entertaining and enlightening artistic events of 2012.
In locales as varied as Israel, Kenya, Massachusetts, and the country of the brain, and in rough groupings of poems about small daily epiphanies, relationships, loss and death, and the sad affairs of the world, the poems in “The Illustrated Edge” explore the meandering paths of all sorts and mixtures of feelings.
I can see why celebrated Korean writer Young-ha Kim was attracted to this real life story of about a thousand Koreans emigrating from Asia in 1904.
A belated appreciation of one of 2023’s most interesting releases – this Grammy-winning “compendium” may not be a strongly unified work, but its individual parts are eloquent residents of the Place Between classical and jazz.
At least waiting for Andris Nelsons to take over the orchestra is done. And we don’t have to bide too much time before we get to hear more from him: his first subscription series with the BSO kicks off on Wednesday.
Cultural Commentary: Cryptocurrency and Artists, A Match Made in Heaven? Or Hell?
Our financial establishment is being hijacked in a car driven by a greedy, vengeful man, his industry cronies and a doormat Congress cowering meekly in the back seat.
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