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There is much to like in this outdoor production of Love’s Labor’s Lost — the time passes by quickly and there are plenty of smiles along the way.
The Huntington Theatre Company’s production of “Don’t Eat the Mangos” commands attention with its blend of entertainment and enlightenment.
Large parts, if not all, of this well played, eclectic disc should appeal to various tastes in modern improvised music.
Fort Worth Symphony Orchestra’s heart is in the right place with the ensemble consistently erring on the right (far) side of caution.
By Bill Marx and Harvey Blume I was asked by National Public Radio’s Morning Edition to write an appreciation of the late Norman Mailer. I have posted an unabridged version of this necessarily short piece. After that, I have placed an interview Harvey Blume had with Mailer after the publication of his 1995 book Oswald’s…
Florence Pugh tends to be cast as beautiful and indomitable characters faced with the very real possibility of madness or defeat.
Director Terence Davies read four biographies of Emily Dickinson; the details of her life he remembered became the basis for his screenplay.
Director Martin Scorsese’s World Cinema Project is committed to doing the indispensable work needed to save examples of damaged but worthy landmarks of cinema.
A new recording of Carl Nielsen’s Symphony No. 5 from the Bergen Philharmonic Orchestra and Edward Gardner captures much of what makes the composer’s writing in it sound so fresh.
Fuse Arts Commentary: Outside the [Pricey] Box Festival?
The Outside the Box Festival going to need much more substance to justify its new 3-figure price tag.
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