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What makes one opinion better than another? (Some opinions have been challenged more than others. Tested opinions are worth more than untested ones.) Can’t one enjoy an aesthetic experience without having to put it into words? (Absolutely, but those of us who write art criticism don’t have the luxury.)
By Caldwell Titcomb May 1: The month kicks off with an unusual concert celebrating the noted tuba player Kenneth Amis, who joins the MIT Wind Ensemble. Amis will play his own “Concerto for Tuba” (2007), along with the premiere of his “Bell-Tone’s Ring,” and pieces by famous European composers. At MIT’s Kresge Auditorium, 48 Massachusetts…
By Chantal Mendes This Sunday the enterprising theater troupe Banana Bag & Bodice brings its distinctively modern adaptation of an ancient classic, Beowulf – A Thousand Years of Baggage, to Oberon in Cambridge, MA. For those of us who missed the recent movie version, Beowulf conjures up sleepy times in early English Literature class. Given…
This anthology, for all its occasional sadness, is optimistic about the future of immigration to America.
What is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts. The aim is to combine editorial integrity with the community—making power of interactivity. This is our second session. Hear Ye! Hear Ye! For dance critic Debra Cash, Serenade/The Proposition, the first of Bill T. Jones’s investigations…
French writer Jacques Jouet is a critic, playwright, novelist, and short story writer. His novella “Upstaged” is an ingenious comedy about theatrical transformation that runs with the notion that when art is live anything might go, that perhaps Pirandello’s six characters in search of an author didn’t go far enough and come up with a better play amongst themselves.
We intend to stage work by all the living American poets we can lure into our sphere: starting right here in Cambridge.
The Bloody Hand stands alongside other autobiographical classics devoted to the First World War.
Syrian-Kurdish filmmaker Talal Derki on love and hate in his homeland and the “schizophrenia” of being an Oscar nominee.
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