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Book Review: Raising the Black Flag

August 26, 2013
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There’s still an opening for someone to come along and write the final, definitive word on Black Flag. In the meantime, Spray Paint the Walls is a more than worthy placeholder, and is highly recommended. It’s just not quite what it could have been.

DVD/Blu-Ray Review: “A Hard Day’s Night” — Still Fun After Five Decades

July 28, 2014
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A Hard Day’s Night stands as a landmark in rock history because it exemplifies the Beatles’s joyously innocent starting point — today it delivers an irresistible sonic joy that comes from listening to songs that still rock after fifty years.

Book Review: “Get Off My Neck” — How the Judicial System Works, From a Former Insider

April 27, 2024
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Many of the circumstances and particular cases Debbie Hines discusses in “Get Off My Neck” are grim, even sickening. But her experience in the American justice system has taught Hines to choose hope and struggle over despair. And that is encouraging.

Weekly Feature: Poetry at The Arts Fuse

November 14, 2025
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This week’s poem: Jiwon Choi’s “Let Me Say I Am Fuchsia”

David Lynch, Prince of Darkness — A Personal Remembrance

January 18, 2025
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It is impossible to think that anyone could have been exposed to David Lynch’s work — its generous vision, so far-reaching in its scope, so recognizably rooted in the modern human condition — and not come away changed, haunted, and awed.

Theater Review: “How We Got On” — Exhilarating Hip Hop

July 31, 2013
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I am probably the last person anyone would see as a hip hop fan, but I walked out of the theater with a new appreciation for the music and the satisfaction of experiencing an old-fashioned coming-of-age story told in a refreshing new way.

Fuse Theater Recommendation: Tennessee Williams’ Original Acts Staged with Aplomb

July 24, 2011
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In the perceptive hands of director Joann Green Breuer, the combination of scripts (stretching from the 1940’s to the 1970’s) proffers a compelling meditation on Tennessee Williams’ exploration of women and desire, as well as some surprising spins on his classic plays.

Theater Review: “Ten Cents a Dance” not Worth a Plugged Nickel

August 20, 2011
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Trapped in a cluttered set meant to evoke an abandoned nightclub (with old, upside-down flowerpots? why?), the cast of TEN CENTS A DANCE do little but wander about singing strangely uninspired arrangements of some of America’s best-known songs.

Classical CD Reviews: Delibes Ballet Suites, John Williams in Vienna, and John Harbison Concertos

November 23, 2020
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Terrific performances, blazing with color, character, and wonderful technique from Neeme Järvi and the Royal Scottish National Orchestra; John Williams and the Vienna Philharmonic Orchestra offer considerable pleasure with some misteps; another triumphant release from Gil Rose and the BMOP.

Book Review/Commentary: Why Lionel Trilling — and Serious Criticism — Matters

January 1, 2012
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The essential task of the critic is not to like or dislike the arts or to push bromides, such as to celebrate the “power of reading.” Despite some troublesome modifications, Lionel Trilling carries on the mission of E.A. Poe and Henry James: he articulates the value of the serious act of judgment in a culture hostile to it.

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