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The album ends up paying dividends, not just for fans and students of 20th-century composition, but for anyone interested in the broader reach and global development of classical music in the last century.
Marking Time explores how the creation of art in prison can disrupt institutionalized patterns of dehumanization. The book’s larger narrative comes with an overt political aim: “to envision and help create a world without human caging.”
The month’s international highlights include the Boston Modern Orchestra taking on the music of India, The Cantata Singers finishing up their homage to British composer Ralph Vaughn Williams, and Musica Sacra performing Flemish Choral Music of the High Renaissance. By Susan Miron. Sunday, May 1 @ 1:30 p.m. at MassArt’s Pozen Hall, Boston, MA. The…
Most classical music continues to take place out of town at festivals in lovely, pastoral settings throughout New England. And while most of these gatherings have several interesting concerts worth noting, the BSO at Tanglewood still has the lion’s share of ear-worthy happenings. By Susan Miron. Wednesday Concert Series offers free classical music each Wednesday…
July is a month when most of the great classical music is happening in pastoral settings and festivals around New England and far from Boston.
A busy month in New England, with at least two classical music traditions kicking off the season in Boston: Longy School of Music’s free SeptemberFest and Fenwick Smith’s 35th annual flute recital at Jordan Hall (Sept 4 @ 3p.m.).
The emphasis of Monadnock’s coming concerts is, quite happily, American music by composers with strong ties to New England. It’s hard to imagine a more appropriate place to hear such fare or a better group of musicians to play it.
Norman R. Shapiro took on the Herculean task of translating the 17th century French poet’s work—some 240 poems in all—in increments of fifties. He has performed the difficult task with wit and panache.
Beethoven reportedly told Rossini to stick to writing comic operas. But new recordings of two of Rossini’s major serious operas bring great pleasure to the listener—and let us hear some splendid young singers.
Theater Commentary/Review: A Not So Dumb “Month in The Country”
Given the Russian writer’s modernist pedigree, should director/playwright Richard Nelson and translators Richard Pevear and Larissa Volokhonsky be punished for putting some “unevenesses” into their staging of Turgenev’s finest play, “A Month in the Country”? I think not.
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