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From the mid-’60s to around 1972, Laurel Canyon became the epicenter of a magical musical interlude that gave birth to some of the most iconic and timeless music of a generation.
A triumphant disc from A Far Cry, some fresh thinking from Giuseppe Sinopoli and the Israel Philharmonic, and Thomas Hampson, a great purveyor of American song, focuses on Chicago.
Although Anthony Powell’s stock has gone down since he died in 2000, I hope that this new biography will spark interest in A Dance to the Music of Time.
Heard live, pianist Evgeny Kissin offers the kind of rare, heart-altering listening experiences that give one hope for our woefully fractured world.
“American Hustle” has its flaws, major and minor, but it’s very entertaining and contains some great performances, especially by the female cast members.
Sometimes new music isn’t really new and old music isn’t actually old; the best of it exists on some other plane entirely.
Filmgoers hankering for some excellent and exciting new documentary features and shorts should check out the Salem Film Festival, which has gone online.
Jazz, in particular, seemed to not merely satisfy Justin Freed’s inner cravings for beauty, but it led him outwards, to others, eventually inspiring some of the key relationships in his life.
Singer Ute Gfrerer’s name should be spread far and wide to anyone — Jewish or not — who is interested in the music of that period, for this is first-rate work that should be heard for generations to come.
Music Commentary Series: Jazz and the Piano Concerto — Who Will Program?
My data might be depressing for anyone who wants a lot of novelty in the concert hall. But I found that some orchestras are taking more risks than the pessimists say.
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