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Camerata Pacifica does right by John Harbison. And when it comes to Beethoven’s music for cello and piano, Jean-Guihen Queyras and Alexander Melnikov are tops.
The BSO had a well-deserved couple of weeks off following their late-summer tour of Europe, and they took some time to regain their sea-legs.
John Heliker, by some alchemy that frankly baffles me, is able to give an evening quality to the light in scenes that are clearly taking place during the day.
The challenges of this musical are to keep things buoyant yet insightful (and with some backbone) about a subject many of us dread, namely work and its drudgery.
Fighting God is logically argued, lucid, and makes a powerful case for a more secular nation.
Conductor Christopher Wilkins and Boston Landmarks Orchestra routinely present serious, challenging programs: but there is always room left for some partying.
Sir George Martin’s AIR Studios in Montserrat gave birth to some great ’80s music, then succumbed to the elements.
This is a well-rounded session of disciplined, well-crafted composing and soloing, with established and up-and-coming players mixing it up with style and commitment.
A Master Builder comes off as a Woody Allen wet dream, but Heavenly Angle is the love child of Alice’s Restaurant and Waiting for Guffman.
Commentary: Best Classical Performances of 2016
Picks for the top live classical performances of 2016. Feel free to agree, disagree, add to them, come up with your own list, etc.
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