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The documentary covers a lot of dark and tragic territory, but it remains entertaining throughout, no doubt more than anything else from its skill in capturing the fierce, tender, acidic, brilliant, and ultimately inextinguishable energy of its subject, artist David Wojnarowicz.
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Is it possible that adventurous readers have a better feel for the virtues of this zany, demanding satire than fuddy-duddy critics?
Read MoreAlthough Anger and Forgiveness is a work of systematic philosophy it is also provocatively personal.
Read MoreBest Food Writing 2017 presents, as the series always has, a veritable buffet of pleasurable reading for the foodie.
Read MoreThe gem of the weekend was an exhilarating production of “A Midsummer Night’s Dream,” directed by Julie Taymor in the extravagantly imaginative style she has developed over nearly three decades.
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CD recordings keep bringing us unexpected treasures, including chamber works by Samuel Coleridge-Taylor and Samuel Adler, and the (by turns) exquisite and powerful opera Armida by Mozart’s contemporary — who was not his murderer — Antonio Salieri.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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What is literature if it doesn’t kick you in the ass every now and then and get you to act? Maybe that’s what the Nobel committee thought when it awarded Annie Ernaux this year’s Literature Prize.
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Music Commentary: Thoughts on the Boston Symphony Orchestra’s 2017-18 Season
On paper, at least, the upcoming season of the BSO is a bit of a letdown: cautious, unthreatening, comfortable.
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