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An Arts Fuse regular feature: the arts on stamps of the world.
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Reviews of Todd Haynes’s documentary The Velvet Underground, Bruno Dumont’s France, a satire-drama about the news industry, and Nature, Artavazd Peleshian’s graceful parade of natural disasters.
Read MoreI like to see dances that are somehow all of a piece. Hope this doesn’t mean I’m sinking into some kind of retro-fogeyism.
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At the Woodstock Film Festival: the stunning documentary “The Remarkable life of Ibelin” and Mike Leigh’s rich and powerful “Hard Truths”.
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Our demanding critics choose the best (and the most disappointing) films of the year. .
Read MoreBrian Carpenter and the Ghost Train Orchestra are not about re-creating either hot jazz from the ’20s or novelty works from the ’30s and ’40s. They’re interested in capturing the spirit that they perceive to be inside these almost-forgotten pieces and using that spirit to make original new music.
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“Lisa Frankenstein” is the first delightful surprise of 2024, destined for weird girl slumber party greatness in a few years time.
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X takes the right lessons from Chainsaw: it is both an adoring homage and a much needed rejuvenation of the slasher genre.
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The documentary strikes a remarkably rich vein, covering not only music, fashion and a late-1970s social critique, but also matters of race, class, gender, mental health and spirituality.
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Book Review: One More Round with Norman Mailer
In his centennial year, it’s difficult not to see that Norman Mailer’s literary standing is at an inflection point.
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