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Aaron Swartz is indeed a martyr, but there’s more here. The film identifies an ongoing battle over control of information as much as it explores a troubled life that ended far too soon.
Read MoreAn adaptor has to make choices, and this theatrical version of “Invisible Man” focuses on the novel’s most straightforward narrative strand.
Read MoreBy Justin Marble “If its Halloween, it must be “‘Saw,’” claims the trailer for the latest iteration of the tired torture-horror franchise surviving more on its audience’s predilection for gooey and gruesome death scenes than coherent storytelling. “Oh yes, there will be blood,” echoes the creepy “Saw” antagonist Jigsaw, a psychotic old man who creates…
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Watershed is an unadorned but stunning addition to the offerings at the deCordoba Sculpture Park and Museum.
Read MoreThe BMOP’s opening concert featured the group succeeding at an important part of its mission: to perform unfairly overlooked American music.
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“A Precise Chaos” examines, with profundity, intricate human patterns of memory, history, and love, where the personal and the political intertwine and nothing ends cleanly because nothing is ever entirely lost.
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Intimacy, whether physical or emotional, is continually challenged in Julia Jacklin’s Pre Pleasure.
Read MoreYasmina Reza’s dollhouse of a novel is a miniaturist’s miracle.
Read More“13 Assassins” is an affectionate salute to old-fashioned swordplay films, just as occasionally artful as it needs to be, and ultimately, it’s a highly-satisfying romp through and through. Is there really anything wrong with that?
Read MoreWoody Allen’s freshest and most potent film in years manages to be much more than an erotic thriller. By Betsy Sherman Woody Allen’s cinema of the past 10 years has been one of quaint fetishes. True, his passion for early jazz resulted in the hilarious “Sweet and Lowdown,” but aside from that movie and the…
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