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Theater Review: Plays New and Old Back to Back and Reel to Reel

April 4, 2014
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Fort Point Theatre Channel made a call for submissions for a new play to serve as a companion piece to “Krapp’s Last Tape.” The result: a performance of Samuel Beckett’s classic with the world premiere of “The Archives” by Skylar Fox.

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Theater Reviews: Broadway —The Importance of Being Earnest and Jerusalem

June 5, 2011
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Two New York stage productions offer sterling examples of going maximalist in an increasingly minimalist age

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The Arts on Stamps of the World —October 3

October 3, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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The Arts on Stamps of the World — November 6

November 6, 2018
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An Arts Fuse regular feature returns (temporarily): The Arts on Stamps of the World.

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Fuse Coming Attractions: What Will Light Your Fire This Week (AND Next Week!)

November 22, 2013
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Arts Fuse critics select the best in dance, music, theater, and film that’s coming up for the next two weeks.

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Book Review: “The Sweetest Fruits” — Stories in Order to Live

September 18, 2019
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Reading The Sweetest Fruits is like looking at the back of an oriental rug in which the pattern is rather more indistinct than the front but the colors much richer and more vivid.

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Opera Album Review: Richard Flury, A Swiss Composer You Should Know About

August 17, 2022
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A world-premiere recording of Richard Flury’s fascinating 1935 opera about love, deceit, and the possibility of forgiveness.

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Coming Attractions: May 20 through June 5 — What Will Light Your Fire

May 20, 2018
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

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Coming Attractions: February 11 through 26 — What Will Light Your Fire

February 11, 2024
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Fuse Theater Review: “The Real Thing” — A Play That Resonates with Reality

November 15, 2014
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The Real Thing’s discussion of linguistic precision may be telling now in ways that dramatist Tom Stoppard may not have anticipated.

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