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In F, vertigo is often palpable. Evil exists. “The terrifying beauty of things” does, too.
You can forgive director Bruce Weber for gushing in admiration about photographer Paolo Di Paolo’s uncovered legacy. There’s plenty to gush about.
There’s much in “La Pasión” to like. Composer Osvaldo Golijov’s use of Latin and South American musical forms has been well documented: the piece offers a striking compendium of idioms covering a huge geographical range.
In the remarkable images of Henryk Ross, Nazi evil is exposed through a kind of heroic voyeurism.
Where to find the best in new documentaries? In the brave new world of digital streaming.
Robert Frank had dared overturn the central conceit of the great photographs of the Farm Administration 1930s; that the poor were noble creatures.
Jonathan I. Israel has written a monumental three-volume history of the Enlightenment, approximately 2500 pages long, not including three lengthy bibliographies. His erudition is fabulous; his range is dizzying.
William Peter Blatty may have created a comparatively small body of work, but he played a major role in the evolution of American horror.
A best-seller in France, Emmanuel Carrère’s quirky, but ultimately compelling memoir examines the effects of two disasters on very separate groups of people to whom the writer is connected, at the beginning, quite peripherally.
Theater Commentary: Peering into the Post-Covid Future for the New Play Sector
I’m curious to see what happens next. I’ll keep writing plays, but I might need to hone my skills as a handyman just in case this whole theater thing doesn’t pan out.
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