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An Arts Fuse regular feature: the arts on stamps of the world.
Thomas Clerc’s novel reminds us of a stubborn truth: we are all narcissists that live to accumulate shit in rooms.
The humanity Mariska Hargitay brings to her quest makes this film about her mother, Jayne Mansfield, much more than a hagiographic profile of a movie star: it is a deeply personal story of reconciliation, love, and family.
This year’s Boston French Film Festival (July 10 through 27) proffers a just-about 50-50 mix of male and female directors.
By Tess Lewis This masterful new novel sees heresy and idealism as the warp and woof of history. Heir to the Glimmering World by Cynthia Ozick. (Houghton Mifflin) Little in Cynthia Ozick’s books is predictable or simple. Her sinuous essays are, as she says, “thing[s] of the imagination,” “the movement of a free mind…
In this splendid exhibition, Leon Steinmetz displays a deep appreciation of the complexity of commedia dell’arte.
Major works for saxophone in world-premiere recordings featuring virtuoso Paul Cohen and his brilliant colleagues.
A thorough sociologist, Carolyn Chen shows, step-by-step, how companies self-consciously appropriate religious language and rituals, creating a ‘theology’ in which work and purpose are perfectly aligned in the lives of their highest-value employees.
An Arts Fuse regular feature: the arts on stamps of the world.
Jennifer Brea’s absorbing and moving documentary about Chronic Fatigue Syndrome is a stunning achievement.
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