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Technology-driven horror narratives are ubiquitous these days: Red Rose has an authentic look that makes its creepiness distressingly plausible.
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Plan to linger over every moment of this revelatory, diverse, and understated special exhibition.
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There are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
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With Bones and All, Luca Guadagnino solidifies his place as a filmmaking maverick able to bend genre conventions in ways that express his own painfully beautiful artistic vision.
Read MoreAn invigorating staging of Henrik Ibsen’s still pertinent play about spinelessness up and down the political spectrum.
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Considering the show’s uneven writing, there’s no certainty that Genera+ion will last longer than a viral TikTok video.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Read MoreIt was clear from the moment Ludovic Morlot mounted the podium that he and the Boston Symphony Orchestra possess a strong chemistry: the players clearly respect him and they responded to his leadership with precision, energy, and feeling.
Read MoreI have a short list of the greatest singers I’ve seen live—and Colin Blunstone of the Zombies is right up there.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner